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Moonrise Kingdom by Wes Anderson (2012)

Wes Anderson is a magician of the cinema. He is able to create worlds which are very far from reality and yet enchant us and drown in the nostalgia for what could have been or at least how we would like to remember our past experiences.

Moonrise Kingdom was screened at this year’s Cannes festival which usually indicates a work’s particular value to the world of cinema.

This film is a nostalgic fairy tale squeezing tears of all adults who ever had a childhood.

It seems Wes Anderson here majored in enhancing one’s memories. Everything is extreme to its limits – when it rains, it’s a grand rain of the century, when we see a meadow – its greenery almost makes us shading our eyes from its juicy intensity. The music matches the tone of the story and crafty idea of a child’s voiceover introducing us into the skill of being able to distinguish musical instruments just by hearing them.

Moonrise Kingdom is a beautiful tale which triggered my most beautiful memories coming back to me and I thought of being a child again, of going for a scouts’ camp, of not sleeping with friends, of enjoying every minute of the day and treating it as a never ending adventure and challenge.

Veteran star actors play along young kids and all create an unforgettable ensemble which is credible (that does not often happen with this number of names!). Wes Anderson created a beautiful fairy tale.

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Filed under 2012 cinema releases, film reviews

The Darjeeling Limited by Wes Anderson

One more to the Catching Up section.

I have never been to India, but couldn’t escape the impression that the presented world is very far from how India actually looks.

As I found out later reading the trivia section on IMDB page, I was right. Apparently the vast majority of the first draft of the script was written without the writer ever going to India.

The world presented is an idyllic vision of India which is colourful, stylised and incredibly clean.

It tells the story of three brothers; Francis, Peter and Jack (apparently named after Francis Ford Coppola, Peter Bogdanovich and Jack Nicholson) who take upon a spiritual journey, which term is quoted enough times to make sure that the audience knows it to be irony.

The three brothers are Owen Wilson (since watching ‘Midnight in Paris’, I will always perceive him as Woody Allen), Adrien Brody (he is an amazing comedian!), Jason Schwartzman (barefoot again – just like in ‘I <3 Huckabee’ – will need to investigate whether this is a permanent feature…).  Natalie Portman is a girlfriend in an episodic role – in fantastic shape with short boyish haircut.

Great smart comedy with amazing colours, interior design and a play with convention. Recommend!

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Filed under Catching Up, film reviews