Light, pretty, smart. Shot in beautiful Stockholm, with its classy designs and architecture.
Sofie and Max meet at a workplace and develop a particular bond which leads them through harmless craziness together. To a point, when it is no longer harmless and begins to become harmful.
Rich in relationships on multiple level. Clashes of old v. young, old habits v. modernity, analogue v. digital, parents v. children, partners in business, partners at home.
Pleasant experience and beautiful to watch – with realistic personalities and faces and surprising twists.
This film has not aged well. Despite it being made in the golden era of Hollywood. The daily problems of 20-somethings do not correspond well to today’s experiences.
One could argue that it is a fair social study of late 1970’s in New York among the children of 2nd or 3rd generation of immigrants from Old Europe.
I love dancing and I do see the appeal of the main story. So I understand how it became a success back in its time.
But now? No thanks. I am allergic to disco music, so probably that is why it has been a difficult watch.
Maybe I am wrong, maybe it is a universal picture of troubled youth. I just don’t dig it.