Written and directed by Gregg Araki.
Listing the connotations that went through my head during the first time I watched the film (for there will be other times surely!) is potentially neck breaking. I’ll try though.
The main protagonist Smith, Film Studies student, who in a voice-over assessment of his major, admits there is probably little sense studying the cinema in the time and age where in a few years time, the cinema as we know it will probably vanish. This follows with extracts from Bunuel’s Chien Andalou.
The film sets off as Beverly Hills, 90210 (not Glee though), and brings connotations of a mix of Danny Boyle’s Trainspotting, the classic 2000 Dude, Where’s My Car?, as well as Kubrick’s Dr. Strangelove, Tom Ford’s A Single Man and The Devil’s Advocate !!!
It’s smart, it’s funny, sexy and the faces are pretty. It isn’t short of nudity and bold scenes. The music is great, fantastic lighting, excellent editing, transgressions between dream and reality, great make-up! The main actor, Thomas Dekker fantastically cast as an emotionally and sexually confused 19-year old.
All in all, brilliant.